The Review of Contemporary Fiction

Claude Ollier
Carlos Fuentes
* Cecile Lindsay, "Claude Ollier Today: An Introduction" * Cecile Lindsay, "Claude Ollier: A Bibliography" * Cecile Lindsay, "Interview with Claude Ollier" * Claude Ollier, "French Version" * Claude Ollier, "from Mon Double a Malacca" * Claude Ollier, "from Marrakch Medine" * Paul Louis Rossi, "The Shadow of a Doubt" * Cecile Lindsay, "Child's Play: Le Jeu d'enfant and Beyond" * Leon S. Roudiez, "Concealed Production in Ollier's First Novel" * Robin Knee, "Microstructural Intertextuality: Solving Claude Ollier's Enigma" * Jean-Claude Montel, "Enigma: Or the Double Simulacrum" * Christian Rosset, "'Our Music,' Ten Years After" * Sjef Houppermans, "The Figure in Le Jeu d'enfant" * Philippe Boyer, "Topographies" * Abdelkehi Khatibi, "Traces of a Trauma: on Marrakch medine" * Abdellatif Laabi, "Claude Ollier and the Death of 'The Orient' in Marrakch medine" * Philippe de la Genardiere, "The Lesson of the Incipits" * Abdelwahab Meddeb, "An Unreadable Story (Une Histoire illisible): In the Name of the Third Person" * Ingrid Axmann, "Cahiers d'ecolier and Ollier's Fiction" * Anna Otten, "Claude Ollier's Heterogeneous Linguistic Topography of Polymorphic Experience" * Gerhard Goebel-Schilling, "The Theater of Claude Ollier"

* Debra A. Castillo, "Fuentes in Action: An Introduction" * Sandra L. Dunn, "Carlos Fuentes: A Bibliography" * Debra A. Castillo, "Travails with Time: An Interview with Carlos Fuentes" * Carlos Fuentes, "Mother and Doctor" * Gabriel Garcia Marquez, "Carlos Fuentes: Good Twice Over" * Margaret Sayers Peden, "A Translator's Recollections" * Octavio Paz, "The Question of Carlos Fuentes" * Janet Perez, "The Triple Lunar Goddess in Aura and 'In a Flemish Garden'" * Santiago Tejerina-Canal, "Point of View in The Death of Artemio Cruz: Singularity or Multiplicity?" * Marc Nacht, "Carlos Fuentes and Malintzin's Mirror" * George Gordon Wing, "A Gallery of Women in Carlos Fuentes's Cantar de ciegos" * M. E. de Valdes, "Fuentes on Mexican Feminophobia" * William Kennedy, "Carlos Fuentes: Dreaming of History" * Guy Davenport, "Distant Relations: A Conjunction of Opposites" * Jonathan Tittler, "Gringo viejo/The Old Gringo: 'The Rest Is Fiction'" * Lois Parkinson Zamora, "Magic Realism and Fantastic History: Carlos Fuentes's Terra Nostra and Giambattista Vico's The New Science" * Carl Gutierrez, "Provisional Historicity: Reading through Terra Nostra" * Milan Kundera, "Esch Is Luther" * Wendy B. Faris, "Desire and Power, Lover and Revolution: Carlos Fuentes and Milan Kundera" * Julio Ortega, "Christopher Unborn: Rage and Laughter" * John C. Ackers, "The Generation of Spanish Novelists after Franco" * Renee A. Kingcaid, "After the Nouveau Roman: Some New Names in French Fiction" * Books Received