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The Temple of the Wild Geese and Bamboo Dolls of Echizen


Author: Tsutomu Mizukami
Translator: Dennis Washburn
Japanese Literature Series
March 2008
208 pages,
Hardcover, 978-1-56478-490-2
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Book Description

The Temple of the Wild Geese, a semi-autobiographical account of Mizukami’s childhood, tells the tale of Jinen, a Buddhist monk raised by villagers after his mother, a beggar, abandoned him. Sent to live at a temple at the age of ten, his resentment smolders for years until it explodes in a shocking climax.

In Bamboo Dolls of Echizen, no woman is willing to marry the diminutive Kisuke, a bamboo artisan, until Tamae, a prostitute, comes to pay her respects at the grave of Kisuke’s father. In Tamae, Kisuke sees shadows of his own mother, who died when he was young, and the two eventually marry. Since Kisuke seeks only motherly affection from Tamae, the two never become lovers. Instead, Tamae devotes herself to caring for Kisuke as a mother would, and he thrives as a renowned maker of bamboo dolls.

About the Author

Tsutomu Mizukami (1919–2004) was born in the Fukui Prefecture of Japan. As a child, he was sent by his parents to work and live in a temple in Kyoto. After leaving the temple, Mizukami studied literature at Ritsumeikan University in Kyoto, and later became an apprentice to Uno Kōji, under whose tutelage he wrote his first book, a bestseller. Apopular and prolific Japanese author of novels, detective stories, biographies, and plays, Mizukami was also awarded several awards and prizes, including the Naoki Prize for The Temple of the Wild Geese.

About the Translator

Dennis Washburn is a professor of Japanese and comparative literature at Dartmouth, where his focus is on classical and modern Japanese film and literature.

Praise

"The Temple of the Wild Geese [was] an immediate success. Its thriller techniques are on a par with those of Georges Simenon, Patricia Highsmith, Francois Mauriac, and Leonardo Sciascia. . . . [Mizukami] used his experiences of boyhood and youth as the basis for Bamboo Dolls of Echizen. This is full of the peculiar local colour of a small, creepy village on 'the backside of Japan'. The descriptions are so detailed, they almost give the feeling of reading a fascinating ethnographical study of a primitive and spooky culture. It is a lost world of vicious ghosts, painful obsessions, utter poverty, and the helpless dignity of ugliness. The book became one of Mizukami’s most popular works."—James Kirkup, Independent

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